
Tales From The Lot - Grateful Dead Show Experiences
Step into the world of the Grateful Dead with "Tales from the Lot." Join me as I dive deep into the heart of one of the most iconic bands in music history. In this podcast, I invite passionate Deadheads to share their firsthand experiences from the legendary Grateful Dead shows they attended.
My guests take you on a nostalgic journey to the lot scene and concerts they attended. Where the vibrant culture of fans, the music, and the mystical setlists converge. These storytellers transport you back in time, sharing the magic, camaraderie, and unique moments that defined these unforgettable concerts.
Do you have an incredible Grateful Dead story to tell? I'd love to have you on the podcast! Share your cherished memories and relive the moments that made those shows truly special. Whether it's the cosmic connection you felt with fellow fans or the legendary tunes that still make your heart sing, I want to hear from you.
Email will@talesfromthelot.org with the Grateful Dead show that holds a special place in your heart and why it means so much to you. Join me for a journey through the past and celebrate the enduring spirit of the Deadhead community.
Tune in, turn on, and keep the spirit of the Grateful Dead alive with "Tales from the Lot: A Grateful Dead Experiences" podcast.
Tales From The Lot - Grateful Dead Show Experiences
TFTL Ep17 Super Hippie Dippy - 5/27/1989 - Oakland Coliseum
TFTL Ep17 Super Hippie Dippy - 5/27/1989 - Oakland Coliseum
My guest, Michael Leube, is here from Budapest, Hungary to discuss seeing Grateful Dead at the Oakland Coliseum in 1989, the 80/20 Rule, a heartbreaking Stella Blue, and why Billie Jean is the best pop song.
#GratefulDead #OaklandColiseum #MusicMemories #StellaBlue #BillieJean #Podcast
This episode is sponsored by ShakedownTshirts.com with unique lot-style T-shirts and gifts for Grateful Dead, Phish, Zappa, Panic, and more. All US orders over $35 Ship Free. Use code "Lot20" for 20% off any order.
Tales From The Lot
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Tales from the lot episode 17 my guest Michael ly Bay coming to you from Budapest Hungary he's here to talk
52789 the AIDS benefit some Stella Blue heartbreak and why Billy Jean is the greatest pop song ever here we go hi
welcome to tals from the lot I'm will my guest today is Michael ly Bay uh this is my first International Version he's
coming to us from Budapest Liv Spain been all over the place hi Michael how you doing how's it going how's it going
I'm glad to be the show this is cool yeah I'm very glad to have you on here too um we're going to talk about his
first show which was the the AIDS benefit show in 52789 and and a bunch of other things but um you know Budapest
like okay what are you doing to Budapest that's a that's a cool place to be so I'm a I'm a teacher I teach
anthropology and um as of late like the last 10 years I've been teaching
anthropology to design students um fantastic basically I'm the the party
pooper the the one that Slams on the brakes so so all this BS isn't isn't released on the
market but um yeah so I live in in Madrid um I'm originally Austrian I live
in Madrid and I grew up in the San Francisco Bay area and so that was my my
exposure to the Grateful Dead and um and right now I'm out in Budapest um
teaching for a week and a half at this school here gotcha so uh so growing up what what music were you listening to
but you know before you got to the Bay Area or or when you got there what what what were you into as a job right so my
musical Journey so um um I always I always loved music uh
it always touched me very very hard um and you know as a teenager so I moved to
the Bay Area when I was 12 so that would be in um in
83 um we moved there and so I was in the I was in the famous Paulo Alto it's kind
of it's kind of funny all the but this is before all the high-tech before it was even Silicon Valley right right y so
I was just a teenager I was just going to Junior High School there and and high school and and so on and and so I was
listening to the basics like like Michael Jackson that that was like my teenage staple diet I still think
Thriller is an incredible album actually I just listened to that yesterday actually like and you know in 83 you
really could not avoid Michael Jackson it's just how it was but it was quality commercials and everything else he was
just everywhere like when I have these sorts of nerdy um no offense but these
nerdy music conversations um I always say I think the best pop song ever written is Billy
Jean I love that song AB is incredible I think the the Baseline of just the how
the words flow yeah it's all so good and when when that shuffling beat comes in
and it's just drives and it grooves and it's there's not that much going on it's like sparse it's cool yeah but uh great
too yeah for sure and the the the Moonwalk um yeah but so from then so I
have a my cousin is a year older than me um he's in he's living in Austria
and he back and we've always been in like musical dialogues and conversations and so he really gave me that big step
he recorded on some um you know cassettes Dolby cassettes um the 90minut
ones that had pretty good sound actually um and so he would give me I would be
there in the summer in Austria and then as a kind of gift he would give me a few
tapes right and I remember the first couple were um Pink Floyd uh animals on
one side which blew me away I think that was my introduction to Pink Floyd which is
right an underrated album I think I think it's amum it's an amazing album it's so old
it's it's crazy um and on the other side I can't remember exactly but some Jethro tall I
got really into Jethro tall like n real geek geekwise I saw
them like six times I I met Ian Anderson once got his signature and [ __ ] like
this it was like a an asexual groupy is like what I'd like to call it right yeah
I just wanted to meet these people and then um you know Blues I got into John
Lee Hooker and BB King um this kind of stuff um Gary Moore I remember listening
to that um in terms of Hard music um my
introductions were Deep Purple and Black Sabbath and this kind of stuff rainbow I
like rainbow a lot um the Richie Blackmore stuff um so iing that did Samy
sing in that did Sammy Hagar sing in that band Rainbow he might have for one of the Revival or something but not
originally you know that it was Ron it was Ronnie James Deo it was right that's right right right um so yeah that kind
of spooky Mystic stuff and then let Zeppelin obviously I think my first one was Physical Graffiti actually another a
strange sort of entrance um and so my my friends were really
into so now we're talking high school I graduated in ' 89 so you know 87 88 is
when we really listen to to what I consider cool music right and yeah and
uh they were really into some of the stuff that was super popular like you too the the Rattle and hum thing
and and Joshua Tree I think those are good hours but back then I I was almost
like rebelling it because everyone was listening to it you know so I was like
no I'm Floyd and Seth real T you know um I'm with you on the YouTube thing but
but when Rattle and H came out there was something about that album that that I did like and that's like I can an
country album It's irish guys doing an out country album and it works I I think it's good yeah um and they were into
Peter Gabriel that I never got into the whole Sledgehammer thing and I hate that
song actually but um and so my um I'll get to when I was exposed to the dead in
a second but I was uh my first concert um my very first rock concert
was actually Roger Waters um in Oakland it was for the radio
chaos um I I still think his solo albums are underrated I think there's some really good stuff even the last one I
really quite like actually um so that was my first concert
my um let's see my introduction to the great fet I actually search through my
um through my memories right because this kind of stuff gets mixed up right
it does so I remember when I my very first um time they the very first time
they came on the radar right when there was like this very strong signal that hit me and it wasn't even music I
remember in in junior high school I guess seventh grade this guy Raheem is
his name I I stayed in touch with him a little bit um he wore this bright red
orange yellow psychedelic Grateful Dead art
t-shirt you know the iconic I don't know if it was like the floating eyeball
thingy or that Surfer I love that one the Californian
Surfer um I've been looking to get that on a t-shirt because I love that art do
you know which one I'm talking about I do yeah I see it's like dude yeah he's
catching a tube right and and and says grateful that um so that was like an
impact I was like what is this and I read Grateful Dead and it looked kind of heavy
and ironic I think the Grateful Dead are heavy not in the sense obviously of
speed or of heavy guitar not in that sense but they hit heavy it's like it
can get pretty dark yeah the emotional weight of it it's it hits that's what
I'm saying yeah and there's a little YouTube clip of of Ryan Adams where he
plays an acoustic version of um what is it China doll or no War rat War rat and
he said that and I agree fully with him he says that when he's in a kind of a strange place um bad you know mental
state he listens to Heavy Music like metal and and the Grateful Dead and that
really resonated with me but so that so that was the first sort of okay there's that there's that Universe um my first
introduction to them was a mixtape a friend of mine gave me classic you know this must have been 10th grade or
something and she put on there you know a lot of the Europe 72
stuff um and um some some of the studio albums and she just packed one of these
90 minute tapes with the dead and that that Rec that tape I had running so
often um One time my car was broken into and that was the first thing I thought
about it I was like um yeah I love that thing um and that's
interesting most people it seems like most people end up with like a whole like a friend will give them a show to listen to and and and and a lot of times
their first op opinion is well it's okay you know and then they go and then they get it and it's it's all good but the
mixtape might be the way to go to to to get see it's and I I totally know what
you're saying I always suffer when I try to turn turn on someone to the Grateful Dead it's like the worst for everyone
like I've stopped crying honestly because what do you what do you play like like someone like you
that obviously knows what he's talking about um you know I could find some
tracks that that you would love right now and you would find some tracks that I would love than I've never heard but
with a with a virgin so to speak who someone who's has no idea it's like I
don't know I might go with I don't know like M like I wouldn't
it's not the studio really but they want to hear Studio you know what I mean they want to hear clean um I say without a
net would be a decent St that's a pretty good intro except I think sort of a mixtape sort of I agree the without net
is beautiful um the recording is super nice I am actually not a huge fan of win
marceles and his saxs lions are clar l I I think it's I think it's too many
notes it's like the dead are already pretty dense you know but that's just personal um personal uh you know
flavor um let's see where were we I right so that tape um then I ended up
getting myself a couple albums it was right when CDs were hitting and so um
those were some of my first CD purchases actually I got uh those two that recorded in 81 I think was Reckoning and
that's set um and so you got the the acoustic part
of that band and then the electric one and that one did a lot to my head
like so by the way as we speak as we speak for me the Grateful Dead are like
flashes it's like I can't even talk about an entire show to be totally honest for me the grateful that is all
about these moments and I even go as far
as this is going to sound super Blasphemous on your on your podcast but but you and your listeners
will actually know what I'm talking about I think when I tell my friends
above my fascination with the great for that because I I listen to them like close to a daily base still like 30
years later it's almost medicine it just it just calms me down it puts me in the
place and I still yeah it's totally a big part of me and I still discover um things like
getting ready for this show I was listening just to get warmed up I was listening to some of the stuff that I
think I went to in the in 80 80 end of 89 90 and Shoreline these I don't even
know exactly which shows it was um but yeah that
was that yeah that stuff hit me really deep I I got off the track so so I I tell my my uh friends about the
fascination and here's the Blasphemous part I think the Greatful that suck for
about 80% of the time I go that high but the 20% when they lock up is pure magic
there's no other band that even comes close to that so we can now argue okay
80 is pretty rough how about how about 50 50 or whatever but what I'm saying is they do lose it at points and that's
what I love about this band it's it's like an honest um good conversation
every good conversation has these moment when it's like H I think I'm gonna get
another beer you know this kind of moment right um but then
all and they hit these passages these spaces and it's so brave that's another
thing my friends don't get they're like dude this is the opposite of Brave these guys are wearing sweatsuits
and they're just noodling I'm like no you don't get it these guys went out there without a set list and maybe vague
ideas of what they're going to play in the first set and second set and just [ __ ] went for it and failed sometimes
they failed [ __ ] and they were high as a [ __ ] and they were
[ __ ] exactly so it's also about the right dosage like too sober or too
high or whatever right yeah um
so yeah so so yeah for me it's it's finding these these moments when they
when they lock up but the but you can't just fast forward to the locking up it's the same with the conversation
right you need to have that you need it it takes a little bit of work to get into some of their
groups um and then and then you wait for that uh that Crescendo or that that
locking up or those really quiet moments or or whatever so um yeah so that was
themselves either I mean they're trying to play songs like tup and and you know that there's a lot going on in a lot of
these comp song for sure they didn't make it easy on themselves a lot of times totally I I play the guitar a
little bit and the Greatful that it's not actually easy to play in my opinion
I I I'm not very talented either and I guess you can play it straight like just
the way the chords say but they didn't play straight they had this swing that is kind of that Jerry that that super
relaxed thing and when you watch his fingers they're like everything is a trem below like everything is he's like
it's so warm that tone I could recognize in two notes you give me two Jerry
Garcia notes of some random solo Garcia uh there's a few guitar players like
that I think I can do that with BB King think I can do that with Gilmore um Billy
Gibbons yeah that's one you hear that you're like oh that's bil yeah yeah that that
that shuffle that thing yeah um yeah so we're still so this is just me exploring
and opening lots of headp space here I would listen to the stuff on with with
headphones you know my whole family would go to sleep and I would just give myself these these headphon sets
sessions and just zoom into these tracks and I don't know on on Dead uh um dead
set the Candyman when he hits those super high notes and you're like wow
it's so it's so beautiful and and and I can play that now and I would have a
similar reaction so with me you know I I I don't
know am I babbling too much or is that the whole point no that's the point this is this is a space where you can nerd
out on everything music and great and it's okay I love it I love it that I was
totally looking forward totally looking for it it's like therapeutic totally um
so yeah so we're we're not even at a point yet in my biography where where I
see them um so this is all just me finding this heads space lots of road
trip music like I would I would drive in order to listen to the dead I know it's
not very sustainable yeah I was and did the same thing yeah yeah right right you just you
just kind of go outside of town safe road and and and and start driving have
a kazoo I would have a kazoo and be playing along while I was doing it that's so hilarious I did the same thing
with a harmonica I was really into the blues a Blues Traveler as well and so I would be driving going not really well
but I was just sort of jamming along totally um yeah so yeah music is super
super important to me and it was never that the dead just it was that's by it's
not everything I listen to right H there's a lot of other stuff and it's
kind of like the test of time like there's some albums that I liked back
then that didn't age well um my actually my first
um record vinyl record that I bought before the CD was um yes the one with
the numbers nine zal it was like yeah it was like when
they came back after I at us or something so that one you can't I can't
really listen to um I was see I I did I don't like yes all that much like like
yes no no roundabouts okay but but owner a Lonely Heart I was like
10 years old and that song kind of grabbed me and so later on I got the album and and now I'll still listen to
that album but I skip on I think some of it's decent like changes I think it's kind I mean but you can't look at it as
like the same no for sure like I'm saying everyone gets hit by these sound bites in a different
moment with a different emotional state um so yeah so I was um I I went to see a
bunch of shows and I still haven't hadn't seen the the dead yet I I went to see a lot of regy music I love regy
music I love ska um so SCA Punk divide I always went
towards the ska even the fast stuff like let's go bowling and and the two-tone
stuff like the specials and U Madness yeah I know about the specials but I I I
gotta admit my SCA uh knowledge is lacking okay problem on the punk side of those
but yeah that's Scot is just something that I I just haven't listened to a whole lot of and and about that I should
probably start yeah no it's it's like it's like us sped up um regy I mean it
was old school Scot like the Scot lights and this this sort of uh these guys over
on in Jamaica doing mtown but with their skank and that's lovely I love that
stuff but then later it got sped up and that annoys some people it's like you
know yeah it's almost paa you know um but then uh The Clash I love that to
me is punk and Scar coming together um but yeah I was more scy and more metal
uh the punk thing I didn't totally get I never totally got uh Punk to tell you the
truth I like some um Rollins band and some black flag and some of this stuff
um but like the sex pistols and stuff I I don't know even the Ramon I find them
overrated I don't know but you growing up in the 80s in the San Francisco Bay Area probably heard of the dead dead
kennedies while you're around there sure this Steely with the dead kennedies
inside of the skull some there's some kind of relationship there with the name or something I read at some point
something like the dead Kennedy like the Grateful de or something like that there's some
I would be surprised but maybe yeah whatever those guys just hate everything
I felt like just just just to be those guys that hated everything you know to get poies right there's a there's an
interesting punk band also that I like that that mix the the reggae and the and the punk the Bad Brains that's
interesting I love the Bad Brains yes all right right on yeah that's that's a
crazy band because they don't like they're so good at both they're so good
at both they're playing this grind core thing and then there's like and then and
beautiful Roots ree you know both of them it's amazing they're
like like they're like the best ree band right now and the best CL man at the same time yeah
um terms of Reggae I think um right now my what I listen to a lot is is
groundation they're actually out of out of California that's a really solid uh
regab band if you're into it but uh anyways back to the 80s so um I was sort
of rebelling against all the um all the pop that was coming out it was almost
like a stance uh somehow um and then um
and then of course grunge hit and that's where my my friends met again right so
so I had this group of high school buddies that I were still in really good uh CL close contact actually or
relatively close contact cuz I live in Europe um but that United us so we
everyone agreed on Pearl Jam everyone agreed on on uh Nirvana
um sound garden uh the Stone Temple Pilots this kind of stuff I was really
into the Smashing Pumpkins as well which is technically not not grunge or is it I
don't whatever I don't care that I think is an amazing album amazing music um so
I was getting into all of that um and then there's two more really important influences for me so my parents both
like music a lot as well and my dad is very specialized with one
type of jazz okay so he likes cool Jazz and bpop so like Miles
Davis um is the end of what he listens to not the beginning he doesn't even go
to Coan or the crazy free free jazz fusion stuff he more like Charlie Parker
era and absolutely Oscar Peterson um Stan GS um Dave Breck that
kind of stuff hey there are you tired of the
same old grocery store grind the battle for the last ripe avocado the cart traffic jams that rival the Autobon and
the hunt for the mysterious organic section that's more elusive than a unicorn
ah yes the joys of grocery shopping in the modern world who wouldn't want to experience that every
week well hold on to your dreadlocks because I have a cosmic Revelation for you presenting grateful groceries the
grocery delivery service is here to rescue you from the TDM and send you on a culinary full tour through the
cosmos imagine a world where the produce section is an enchanted forest where the
avocados jump into your cart and the almond milk flows like a psychedelic liquid River that's right folks grateful
groceries delivers only the freshest most locally sourced organic Treasures all packaged in tie-dye wrappers that
are cooler than a cucumber in a snowstorm oh wow it's not just a
delivery service it's a culinary Carnival an edible Adventure a gastronomic gobblefest say goodbye to
cart chaos and farewell to checkout lines that seem to stretch to infinity and beyond and say hello to Grateful
groceries grateful groceries oh so fine organic food I'm on cloud n tie-dye bags
it's all online you can shop with a smile all the
time grateful groceries because life is too short to take grocery shopping
seriously yes so he would give me an album for every birthday and every
Christmas kind of thing and so now I have a kickass CD collection of that
type of jazz like really good albums um
because it added up over the years right he still gives me my dad's still alive and he still gives me Jazz
records so so there's that uh huge huge influence on me I remember one time in
the Bay Area driving with my dad just running arand or something and the so
this must have been 88 or something another one of these music flashes he played me um take five right
the the Famous Dave breik and I was listening to that to that piano thing that Motif that
continues on and on and on and on and it was kind of cramping my style I was like
oh this thing is like a loop is it's like H and I was like I was telling my dad dad this is not very good it keeps
repeating and he looked at me he's like you're listening to the wrong thing you got listen to the drummer listen to the drummer and then I
did I like I went below I went to the drummer and he's doing all of these crazy
syncopated little fills and [ __ ] and and I got it I was like wow okay let's play
this again from the beginning you know so and then from my mother's side
it's all classical right and so she didn't have this tradition of giving me records but she played a lot of
classical music at home um and I was always drawn to the heavy to the to the
emotional stuff you know Beethoven Bak like I would say if Bak is alive now he
would be in a Scandinavian death metal band yeah like playing a giant
organ yeah like the the fug or whatever the famous the one that's on all the
best off classical
CDs it's got a metal a metal Vibe but um so yeah I would I was into really the
the stuff but it would also mess with my head sometimes I would be would get me
down and stuff it affected me really strongly classical
music so you know how did you end up with that first uh show in
89 you see hear the radio I want to go grab some tickets or it was back then it
was Ticket Master it was just going to Tower record standing in line and and uh
and getting a ticket and everyone was talking about the dead this is when the the tou a great thing was right there
right uh that song Hit whatever in ' 88 or ' 89 I forget and and I didn't even I
I saw that famous MTV clip a bunch of times of course um and and there were
some kids in high school that all of a sudden were wearing the tie dyed socks and the biren stocks and had that whole
thing going and I wasn't part of that like I
always sort of resist going full into clicks I always liked the contrast I
remember doing some pretty infantile things like wearing Doc Martin Boots sending that signal but then with
the regular laces to send that opposite signal I was like super nerdy and
infantile but um making a statement you're making a statement I was making a little bit of a statement and I would go
to the Dead shows in my dog Martin and boots and I didn't want to be fullon dead head even though I I love the
Grateful there but um so yeah so I bought tickets it was that aids benefit um 87 so it must have
been uh 10th grade uh I guess in May and I just went with this guy actually from
Barcelona now that I think of it another uh one of these Spanish connection there's a whole bunch of little Spanish
connection that we might get to um um Andre was his name and and um
it was his first time too um I turned him onto a little bit just showing him some tapes and stuff and we went to this
show and it was kind of a little bit weird to tell you the truth like um
there was a whole bunch a huge lineup that the C the strangest concert
bill you can think of so you got Joe Satriani and Credence clear water and
Tracy Chapman The Grateful Dead I think I wrote this down here somewhere uh L Lobo
Tower of Power which is awesome um all on the same
bill and and for I mean for me that was cool I I remember saani the surfing with
the alien that album I loved and to see that was super cool and and um Tower of
Power that hornn section is awesome um but then the show I can't even I I
don't I I won't lie to you it wasn't that it blew me away I was like okay these guys are super tight I was happy
to to see some of the music I knew but there was also a whole bunch of songs in
their list that I had never heard before you know I was just listening for the I was waiting for the Fire on the Mountain
you know the classics that you can sing along with um there was a couple of
songs that I that I have um like direct memories of um Fire on
the Mountain was one I think they played it without uh the Scarlet begonia so it was just that and those tend to be a
little bit tighter somehow um leading up to this when you mentioned the show and I and I saw that I was like oh I'm gonna
listen to that specifically because I want to hear how the transition to that win it really wasn't a transition it was
just like yeah I always go to the transition yeah
I'm going to have a malted beverage here nice a
beer it's a yeah it's uh what is it uh 11 in the morning here I'm still having
a little cup of coffee here right yeah just so just so the users know um for me
for me it's seven in the evening so um or or whatever yeah so
um um yeah so that that and then um I think they closed with broke down palace
which I love what a beautiful song and I remember that being very strong very I
was pretty far back so I wasn't I didn't get the full blast I feel like and it
was in a massive Place whatever the used to be the Raiders I think the
Oakland Coliseum I think it was or was it San Francisco I can't remember yeah the Coliseum okay
um so yeah so that was wasn't
necessarily the most important of my uh Grateful Dead moments um another one I
honestly I got into I wanted to to get all this out so I took I have some notes
Here te um so a year later um it was April 30th
88 um at the frost so this is on Stanford campus this this is like 10
minutes from my house um and I didn't have a ticket but that was the first time I
experienced the lot the Shakedown Street the the parking lot because at the
stadium that thing was a little commercial right there wasn't yeah there wasn't that scene going on it was you
got you go in you see the show you leave you know yeah sorry what were you saying just not
your typical dead show no I it was absolutely not exactly exactly so um
that one I was on the parking lot and only on the parking lot I didn't get into this one but I remember seeing
these these these crazy people um some of it was a little unsettling I got to
admit like I'm not one to to glorify every aspect of the Dead eater I think
we have to remain critical that's what a good friendship is all about personally
and there were some people who were obviously lost like obviously lost their
[ __ ] mind um and that was kind of sad to see you I remember this guy with a little
string and he was pulling this little plastic alligator behind him and talking
to it and I was like whoa okay there's that side too um yeah but the I remember
the drum Circle I remember really good vibe obviously all the
vendors um just super fun party out there I wasn't even inside and and the
music wafted it over um you know how the wind can waft
it over and sometimes you hear a little bit more and then a little bit less right um so I was circling around there
in parking lot in the frost beautiful Stanford campus there's all these eucalyptus trees it's just super Mello
California right and this one waft of sound comes over and it was um it makes
my hair stand I just thinking of a memory of a waft of sour that doesn't
even exist but anyway um and it was um Ship of Fools I don't know where in that
song but that hit so hard
the fact that you can give me chills talking about it right right and and I got this show it was actually released I
found this must have been pirated but CD I got a CD of this show and and so I can
revisit that's a beauty of this technology right I can revisit these exact moments it's it's pretty strange
and you know I was don't cold sober I was some high school kid I was I don't know I was like 17 18
just seeing this whole thing and and this this uh Ship of Fools I was like
okay okay this band is serious like there's a lot of emotions here they're
not just playing through their best off here this is different yeah they the
story and for me that was the first time I got the de believe it or not it wasn't even inside it was it was
it was really weird that was like okay I got it okay these guys go deep and
they try every time and sometimes they fail but when they nail it wow you know
and there's no band that comes even close to that in in my
opinion um then I saw a bunch of the shows at Shoreline which is a did you ever make it out
there to Shoreline no I've never seen a show Shoreline I from the other podcast I
grew up on the East Coast so most everything I saw was on the east coast and now I live in Denver so I get I get
a lot of shows here in the Colorado areas so I don't oh yeah go I go to Vegas occasionally to see a show okay
for the most part everybody comes through either Red Rocks or or somewhere here all
right nice so you're talking about dead in company and these offshoot bands or what yeah yeah yeah they play at uh
they've been playing at the football stadium uh for color University of Colorado Football Stadium Fon field the
last few years and then fish comes out here for four nights for dicks every year and then okay every other band
every other band like I can see bands you know like Primus and and stuff like that just like down kfax like two miles
from my house at a at a local you just triggered you just triggered my head uh
for a um for a concert um you know when you compare gigs um a killer concert I
saw right around this time I think it was maybe 90 San
Francisco um let's see if I get the order right yeah I think it was Primus
James addiction and the Pixies oh I mean so
good so good I I saw James addiction one time and I'm still a big fan like yeah
so good yeah wild yeah they they are they're crazy and they have their own style also it's one of those
recognizable bands also definitely and then uh my my trump card now I'm off
the subject again with the with the with the Grateful Dead but my absolute best
card um would be I went to see um the wall in Berlin the 1990 that the huge
show that Waters put on I traveled to that one wow so that's yeah that that
that was pretty crazy when he built this gigantic thing on pot plats right right in the center of of Berlin yeah just
like took it down down one one brick at a time right or something like that yeah they played behind the wall for half of
the show and he had all these guests he actually had like the the man members of
the band on there and sheno Connor and um few other people like famous
people but but anyways back yeah yeah it's on YouTube it's on
YouTube yeah true well I was one of those heads in in there some
so um yeah Shoreline um apparently I read online somewhere that they actually
built Shoreline for the dead and that you can look at it from above and it looks like a Steely like those um those
sales um they got these beautiful sailes over this over the audience part and
then it Narrows down into the into where the band stands and that would be like the mandible or the the jaw of the the
of the Steely whatever I don't know if it's true or not but um but that's a
that's a great venue because you're out there in the bay lands so it's off the city um so you don't have that whole
city hustle going on um it's it's it's peaceful in that sense and it's a
slanted um slanted um lawn um really good Acoustics outside
just super mellow and so I saw them there a few times um and actually
leading up to this talk here I I I went to some of the ones I think I went to um
I think I went to uh 1989 September 30th I think I was at
that one and that was really good like they were they were they were going they
were greased up and really good Jerry Garcia was I I think it was one of those
Windows of sobriety that he had yeah like 87
86 everything it was it had the moments it was maybe your 8020 rule there
um yeah defitely that sentence now okay I I bring it down to 5050 or something
um um but uh all of them um you know Bob Weir is just such an amazing Rhythm
guitarist and he was showcasing that with all these weird chords and inverted
cord I don't even know I'm not a theory guy when it comes to music I know when it hits you know but uh but you can just
see him all over the fretboard um yeah he made some strides definitely in that time in his playing I felt like right
right and he and he was really trying hard on the slide he was trying we give that he was trying emphasis on trying
yeah I don't that I'm not not a fan of and then and then his singing I I like
when he sings d songs I think he does those quite nicely U like Masterpiece and Memphis
Blues or whatever that song is called and um I don't I don't like when he goes
when he does the blue stuff the red rooster and then this is like I'm not
much of a fan but I do love the Bobby song stuff like feel like a stranger and estimated Pro oh feel like a stranger is
a great song so Cassidy I mean Cassidy also let it grow so many Let It Grow and
um um estimate a profit that's a that's a weird song that's an amazing hook yeah
but when he goes off on the and when they tweaked they tweaked
him the sound guy was messing with that in that era as well um and then um Brent
I mean Brent I was a huge fan huge fan and I listened to that era of dead now
is probably my favorite not just because I was there so it's not just Melancholy
I like what Brent brings in with the Hammond Organ and the blues
vocals um he's got an attitude he's got a bit of I don't want to call it Punk because it's not Punk but it's like
sudden Rock almost or something it's like yeah um love that and then and then
Phil Les just always I I think he the most steady of all of those musicians actually like
no I would agree with that it doesn't make mistakes it justes I would agree with
that um and the drummers you know so it was I think it was a really good period
yeah well that's what I that's what I said ear with that with that weird comment like um I think we got to remain
honest there there was some it's not all blindingly brilliant but that's the
beauty of it somehow um like you could see a Pink Floyd concert and they're standing at the
exact spot on stage so that a laser hits them at the right angle when they hit a
note or something right and it comes a point when you're like okay I can just listen to this with my headphones lying
on the couch it's the exact same thing yeah with the that it wasn't it was an adventure it was it was a voyage
on in your head and and and in this space and and the lights were the same way that you know that the lights aren't
pre-programmed you know they're they're do it as they go in the moment so that was all part of it yeah yeah ABS
absolutely that yeah that's a good point that I haven't thought about um enough I guess I know that the that the the sound
Engineers um in real time were almost dejing the players that sounds kind of
weird but right they were opening some channels closing some others I think
so yeah it all happened in real time absolutely and and yeah they just went
on these on these voyages and and so in those years Shoreline um I saw some
really nice stuff out there and it's really close to home so that was like um Logistics wise that was a pretty
easy thing to do um and then I saw them in in Oakland a bunch of times in the
Coliseum um and there is another one of these
flashes this one super Bittersweet um it's uh it's kind of a
crazy story this one was actually released as dicks uh pick um volume
27 um so that was December 16 1992 wz vck welnick is on it at this
point um I think they were still decent I was starting to lose a little bit of interest um
I think my last one was 93 I didn't see anything in 94 95 um regret it because
there were some amazing stuff in those periods as well right but I was I was
somewhere else music- wise for those years um oh yeah I understand that totally 94 is when I saw the most just
that's when I was kind of you just came a little bit after me a little bit later yeah yeah um through the V year I'm
definitely missed out on Brent but listen to a time that's probably what I go to first most of the time is
somewhere mid the late 80s so so at that show
um um I got to embellish this one because it's really Bittersweet uh thing
it was um at the at the yland colum at this point I was studying in in Berkeley
um um you know and and I was living over there I was living um close to Oakland
between Berkeley and Oakland there and got to the show a little bit L
little bit late okay so I took the BART uh this is um you
know yeah public transportation area um took that to the to the to the show it
was a little bit late so I knew I was I had a ticket but I knew I was coming in in the middle of the first set or
something um or I guess I would have to check that out because I know exactly when I came in and here's the story
um I was with this girl back then um my it was my first um real relationship
like this was a two and a half year relationship it was very very intense relationship but at this point it was
sort of crumbling at this point it was coming apart a little bit and and she
was at this show we obviously we wanted to see this together we got the ticket together she went there earlier with
some other friends from from UC Berkeley right and I come later and I come in and
this is before cell phones and she just said okay look when I when you come in
I'll be on the front on the right side this sort of vague description right and
so I was searching through the crowd and Stella Blue comes
on and Stella Blue is such a sad
song it's such strange beautiful song I think it it feels like a blue song but it's not
really it's a ballet it's got something country I don't you know what I'm saying
right yeah and it's got that silence moment where he's like it's got that silent moment
absolutely absolutely where they leave it let it hang and it's it's but but it was actually like I said a Bittersweet
moment because I when I found them she was in the arms of some other dude like
like another dude was like embracing her from behind and and I just I caught them
red-handed right they weren't making out but they were obviously not just standing next to each other in a concert
it was more obviously weren't strangers they weren't feeling like Str strangers exactly and it was with that song and it
was just so it was just so horrible and it just sent me on such a Negative
downward spiral so that show um you know I can't even say that I that that that
that was anything great for me but the interesting thing is that was released so Dix Pig volume 27 you can check it
out at some point if you want and that Stella Blue um is is actually probably
my favorite one um and so it's really weird yeah no no problem it is a funny
story cuz I catch I catch my girlfriend cheating on me with this cheese ball
that's another thing is this guy that's been hovering around her you know this kind of guy um you know that's saying
little cheesy things and she and she found it funny and this so jealousy like serious jealousy for my part um and this
song and then when you listen to it now it's like I think one of the very best Stella um versions when when when when
he goes that little Sil and he says Stella Blue right and when they go from
that I think it's an a to an E or the other way around Phil Les has this thick honey
Baseline it's like dripping honey I don't know how else to describe this right now and it almost sounds like a
cello because he's sliding on the strings I think and yeah check that out
that's one of my absolute most poignant moments and and then I was there in this
weird thing and somehow this is going to sound super esoteric now okay super hippie
dippy but if you think about it if that is a live recording of that song that
Vibe of mine is somehow in there yeah you know what I'm saying it's a weird
thought but somehow if you're going to speak of vibrations or energy or
whatever there was this little kid in there um because at this point I was a whatever 21 or
something and just having a hard time I I think I was crying at the moment and
stuff and and the song did not help yeah yeah there's this this bundle
of energy happening right there yeah yeah totally um wow I got all emotional just
talking about a moment um that happened in 1992 that's
freaking 31 years ago that's crazy um
so let's see what else is on my list here um I um okay so there's some some really
odd moments as you were um like announcing me or introducing me
here and on this on this podcast um you're saying that that I've been all over and it's true I have been I have
been traveling a lot and and living in in in different places Austria California and Spain um Spain for the
last 20 years and and there's this there's some weird connections to the dead in in Spain
um uh so they're not well known like at all like it's this little ritual Spanish
love music there's great live music there great party culture the Spanish really um really get into it and it's
never sloppy it's like really stylish I love that part of of Spain and we always
have music conversations these sorts of nerdy things and not very often people
are aware of the Grateful lid like did they play there I don't remember okay so
that's what I was leading up this was a segue got um uh yeah they they they
played one time there and and I researched this also this was in October
19th um 1981 so it was one of those Europe
M and um and they played in Barcelona and um so that's obviously way
before me so I didn't I didn't see this not even close but they played in in um
in Spain one time and and Garcia as as as you know is half Spanish or was half
Spanish right and his dad was a a jazz um musician I don't know which
instrument but he was a jazz musician up from Galia so this is in the north of Spain
beautiful country um I don't know how to pick have you
been to Ireland or something like this or no I haven't no um so picture rolling
Rolling Hills um Forest um and then the ocean so it's on the very very top of
Spain and so there's that connection and you know makes you wonder so he's he was
half Spanish the the guy was half Spanish uh Genetically speaking um and they play
one time um not huge but I've like in 20 years there I might have seen I'm not
kidding you I might have seen two or three steelies on cars and trust me I look for steelies on cars
yeah that's not many no it's just it's not really and it's a mystery to me
because I I think they would get into it um
so I've actually like hacked I got this this water bottle it's flat water bottle
and I hacked it um and one of the reasons is I pulled this out and I'm
like okay here's the logo do you know what this is and that's like the the test you know
and um and then some people do that they just know they just still know the right pronunciation I guess they would be like
gra graul Dead uh you know I could go around Denver and drive around like 10
minutes right now and see like 10 steal your pces probably for sure yeah I know
Colorado is is really big into the dead yeah there's something there um but um a
moment that I wanted to talk to you about was um so in the middle of Spain right so
picture this in the middle of Spain and there's this abandoned Village um it's
super it's out in the middle of nowhere it's pretty spooky they do it's these
houses that use um what's it called slate Slade or what is it the the the
black um Stone that's really thin um yeah for shingles exactly yeah and so
it's this spooky sort of witchy will Village right in the middle of of Spain
and this is about 15 years ago and um we found out that there's a party there a
kind of an outside Rave um and so they had these sound systems out there these speakers like
you know um Jamaican style like dub dub
sound systems right and and it was kind of a Punky feel there was these punks that lived in these abandoned in these
houses um super cool super cool and there was a moment in the evening when
um we were just hooking up our MP3 players right so it's right when we all had our little shuffles and our little
um Apple devices or whatever and there was this moment when
I was like okay it's my turn can I plug mine in and I was like oh and they gave it to
me they're like okay go for it they they they call me giddy giddy is like a like
an endearing way of saying Foreigner okay because I'm the Austrian I'm not the and I speak with an accent
when I speak in Spanish strong accent right um and I wasn't even speaking very well
back then this is 15 years ago but anyway so I have my moment and and so classic Grateful Dead dilemma what do
you put on like these people have never heard and so I go for um the skull skull
and roses the going down the road and not fade away that uh or is it the other way
around Not Fade Away Going Down The Road Feeling Bad um I love that thing that double thing
there as a life recording and super
clean production and that transition is just so so good I
think and anyways there's no real punchline to this story it's just I I I
selected that one we turned it up we had these big speakers in the middle of nowhere you know just to embellish it
the moon was out clear night and it just went and these guys got into it there
when when you have that B didly that shuffle of not fade away and and and right there where and it was just
carrying over this Valley and I was like okay so that's the grateful that and some people probably there's some people
that I turned on uh with that sound flash you never know I've never seen these people again yeah well was
surprised you didn't say shaked down street but you know uh you know just for the day's ability but but not fade away
is probably Choice moment Shakedown Street is an interesting one as an
introductory track because it's got this almost P Funk this disco thingy going on
right yeah it but it's a it's a it's a walk on the line to me like like that
could turn people off because it's got a bit of a cheese factor in my opinion that's true love
I love that riff don't get me wrong yeah you're right for for for for somebody who doesn't know uh they might not get
it they might not get it um another one I was contemplating was um estimated um
but then there's such variants like which version uh some of them are a little faster than others and and stuff
but I love that's a great riff too signature just riff um yeah I
agree so yeah so that was um that was another one
of those moments and then there have been little ones um like like like with
the Steely like like I've bumped into people on airports that have the little logo or
the dancing bears or whatever and you know strangers string
Stoppers strangers just to shake their hands kind of thing yeah I've had little
moments um like that there was one in so so I haven't been in in in Spain
in these 20 years I wasn't there continuously we moved the whole operation I got two daughters so we're
four my wife and two daughters um we moved the whole thing back to Austria for five years and to this city that's
pretty um um parochial is pretty pretty dead um
salsburg I mean it's super famous it's where m is from and but they kind of got stuck in the Baroque honestly there's
like no scene yeah they just stayed there yeah um no scene but there's there was
there's one H concert venue that I went to a lot called Rock House um and that's
symptomatic of my relationship of soub I hung out at this [ __ ] up Brock venue
that was my favorite and I saw a bunch of shows at that place some of them real good um but
MO so MO is kind of a jam jam band you know them right y yeah and I wasn't even
aware of them I just saw on the on the web page that this band is coming and then I looked at it and they said jam
band I was like okay I'm going obviously um and um that one is actually on
YouTube uh like 2014 in salsburg Austria Mo
um I I was able to find it and anyway so I I go in there and all of a sudden like
I get there before the show we're hanging out at the the bar having some beer and there's all these guys with
these Grateful Dead t-shirts and fish t-shirts and whatever t-shirts and I was so moved and like I
was so starved of of this sort of conversation that I just went and bought
this total stranger a massive beer I just in Austria they have these big ones like like it's like half a Le her um um
you know and I just walked up to him and said here you go because you're wearing that
T-shirt and then and talked until the show started right yeah yeah
exactly and and they uh they they put on a great show you can um I don't know if
you can hear me but at some point I'm it was relatively small venue and I'm yelling Franklin's Tower because I
thought they they were kind of in a j that sounded a little bit like that and I almost thought they're teasing it and
so I was yelling that they never played it but um I ended up hanging out with them again the the asex asexual groupy
like I'm not I'm not interested in anything but hanging out it for me it's
the greatest thing on earth like when you hang out with really good musicians I love that I don't know certainly is
and I ended up hanging out backstage with them um you know that partying and
it was it was actually really really fun so that was a another one of those
moments get to ask him if they were teasing the Franklin's Tower I probably asked him I can't I can't remember their
response actually I remember we talked about the dead
um uh there was another band that came through to that venue and that I was actually going to recommend when on the
outro there's like you you talk about stuff um one band that I really have
been pretty loyal to it's very different vibe but woven hand um have you heard of
them no but I'm writing it down right now yeah this is this is weird this is
interesting um so w when hand does this Southern um folklore out country but
there's punk in there there it's heavy music it's pretty it's pretty hard music
actually but they play on old time um band Ang and loots and so it's got this
spooky and and the voice his name is d d Edwards or something like that he's a
real interesting guy um it's dark it's dark music better
than no it's not mfor and Son absolutely absolutely yeah exactly well well
put it's like it's the best time to be alive right now if you're a music lover you got no excuse I don't even want to
hear any bitching and complaining you can listen to literally anything that has ever been produced at your fingertip
like like people who say can suck take a no totally but but people who are like oh no I sto listening to music
because okay um yeah you know but um what was I I'm just
riffing with you I'm just this is fun um uh so I woven hand and and I hung out
after that gig also and I talked to musician and and I ask him what he
thinks of Friend of the Devil because I think that's a dark folkloric song like I think that song is
going to go into like it's going to be a traditional quote unquote it's that classic of a
song that it's sort of like Mary got a little lamb it's it's a standard it's to me like it's not far enough back to call
it a true standard but I think it it will be and the guy answered something
like well that's different type of music but he was absolutely he absolutely shared my point that that is a a classic
folklore kind of dark it's about this weird character right running from the
law it's like a lot of grateful Le like the storytelling it's actually murder
ballads a lot yeah a lot of it yeah a lot of it murder balance it's like Nick Cave style but
but a little bit happier music around it but um yeah when you listen to
Loser um or or deal or or me and my uncle yeah War rat yeah I mean they do
have dead in their name though so right they let you know FR by the way
there will be dead there will be some death yeah
um so uh yeah it's um I've um I've they've
accompanied me um over the years and like I was saying earlier I
um I still have these grateful de doses um like right now I get my kicks from
listening to I pull out my old CDs I got a lot of the dick piics and the um
what came after the Dave's Picks yep um so those I in my car I still have a CD
player so uh driving to work and stuff I I do I spin those and then um obviously
digital um I like uh this podcast as
well what is his name Professor the professor the dead pod dead pod yeah uh
that guy is awesome every Friday he releases is one set of a show and does
his little intro seems like a real nice guy so I've been listening to
those and and yeah out in Europe so it's not
like like you should be super grateful man you you can go see all these fanss whenever you want it's it's
really uh there was really not a lot of that I mean there's a lot of music in in
in Europe for sure but the Grateful de um I've seen a couple cover bands over
in Europe um actually I think I just lied I think I saw one once or so I
can't even remember um it's it's like to of
here yeah and some of them great actually that's some of the other stuff I wanted to talk to you about I saw some
other thing I saw the Jerry Garcia band once back in the days that was
uh 92 or something which is which is a good year for the Garcia band I think
for sure yeah any of ear 90s ones where we could he had one of these late life
highs that happens with a lot of artists um I do kind of think that maybe he was
feeling like this is limited because he was hitting some
really again deep and and and heavy heavy moments um for sure like the maker w the
maker what when he fluffs out those notes and it is amazing yeah no doubt um
I really love Jerry and jgb I I feel like I don't know he was just more freed
I don't know free is the right word but it was definitely a different side of Jerry and and it was yeah it was and and
in some ways tighter like um like um they were like a you know blues rock
band to me um or mtown Motown um yeah really yeah especially with the the
background vocals and just the song Choices that he chose were not only mot
but just fit them so well they were just like made for that band it felt like when they played them even even like the
deer Prudence like the way they did deer made for that band you know yeah
true and the and the Jimmy Cliff stuff and the Peter Tosh um
yeah that was a that's another thing about Jerry Garcia I mean what a genius
um I mean he was obviously living what in Spain they call La La malava the bad
life he was obviously very unhealthy individual like physically speaking um
but he was in a bluegrass band he was in this Motown thing and the grateful that
simultanously yeah and then he was cutting tracks with jazz artists and and whatever ever Dave G they were doing
like the Dave G stuff yeah yeah the two of them doing stuff he was busy sure
when he messes up a line here there a vocal line like you he was working a a
song catalog of like 500 songs or something it's amazing you know it was amazing yeah truly aming so um Phil Le I
saw a few times um he had this I'm speaking the past tense because I think
it was shut down tabin Crossroads yeah um
beautiful place um what a well that made me really
sad when they closed that down I think the reopening though or something I heard something maybe um I'm not certain
I I never got a chance to go but a good friend of mine who lives out there said that he stopped in there quite a bit and
it wasn't unusual to see Phil playing or hanging out occasionally uh up there
kind of interesting not just occasionally he he put on a bunch of shows himself uh you know now he's 82 I
think or something like 82 something like that he in the band I
think and he still holds the band together I mean the stuff is I would I
would argue just from seeing in on YouTube I would argue that some of that stuff is tighter than than dead in
company in my opinion um but um so I saw them up there couple times like when I
visited my my family my my parents still have that house in the Bay Area all these years later um and so I
would drive over the Golden Gate and and see some stuff up there I saw
um uh Phil Les um what was the with Anders Osborne who I like a lot yeah um
that was nice I got to meet Phil L one time again as a asexual groupy it's it's
not rocket science it's like not rocket science you just hang around um you get a beer so here's the
here's the call it's super easy like like I should sell this as a as a strategy as a
teque it's so easy you just have to hang around as soon as the show is over
people are rushing for the doors you rush to the bar and you just kind of linger there and maybe if they can serve
you something still get a a beer or something and just linger linger
wait sometimes gets a little weird you go to the bathroom you keep lingering then the guys with the cables come out
and clean up and stuff keep lingering the band members are bound to come down because they're
thirsty and and so yeah I've met a lot of musicians that way and I was able to
you know congratulate them and and and they always love that and so Phil Les
was like that it was a really short conversation I said hello I'm Michael I'm from Austria and
he said oh I know Austria I've been to salburg once and I said I know I read
your autobiography that was the dialogue also a very good
autobiography for the sound right that's a beautiful that's a that made me cry on
a couple of passages that is a when he describes uh Jerry's death and he he's
like he he felt like he got punched in the stomach or something um yeah so I I I met him I've seen um um
what's his name Stu Stu Allen in Mars hotel or something like that and then
David Gans who looks like you a little bit speaking of which he's over in Berkeley in ashaz he does these dead
evenings and I've seen some I saw the uh the Nelson band from the per writers of
the Purple Sage right so there on um I saw further
once um at Outside Lands that was good I I thought it was I
thought there I thought the there was too much sound on there somehow they had these two backup singers and um they
they played a Pink Floyd cover they played time that was cool um but but I
wasn't I wasn't plus it was bad timing I was with my wife and and huge festival and her favorite band was playing at the
same time The Strokes The Strokes were playing at the same time as further like
a different it's like a huge field so they don't interfere it's that far away yeah and I remember we went to the
stro it's kind of funny actually I was like I was trying to you know do you
know the expression dance at both weddings like try to double Bill try to do both and so I was like okay Issa my
my wife's name Issa I was like okay Issa let's go over check out The Strokes but I wanted to be over um with fer
obviously um and we go over there and we see like two or three songs because they have these short
Poppy I I like The Strokes I think they're really good but they're short tight little rock songs and we saw two
or three and we came back and further was still in the still still in the same
D you know playing in the bed still going it was like Not Fade Away just 10
minutes later you know or 20 minutes later
um yeah so I was able to see both it was great um that's awesome but um it's
um yeah so I when I was over in California I would try to catch uh shows
sometimes I was there in the Summers and they would have Jerry Garcia birthday celebrations and stuff like that um
there just there's a lot of respect um for the Grateful letter of course there's there's people who beat up on
them and and just never got it but I think in general I find that if you talk to someone who knows his music they
might not like them but everyone says okay there was something special there
and Garcia everyone says yeah that guy was a kick-ass guitarist No Doubt
no doubt um you know he was able it's like what Bob Dylan said that his eulogy
right his and when when he died he said something to the extent of he was able to
bridge like the Carter family folklore all the way to ornette Coleman or
something like that I can't remember the exact quote and it's true he lots of
lots of space there um sure and
so so like you said I do like to wrap up here with like recommendations and
things like that so what what's something good that you've read or or seen a movie or or a brand new band or
something album what's something that yeah recently you could pass on to the
listeners I already mention groundation I think they're really good jazz band
and they have H sorry regab band but they have Jazz stuff in there do you know them do you know the
groundation I I don't but I wrote them down as well oh oh I almost Envy you for the first do
do you like reg music I do yeah very much so yes oh cool yeah uh yeah I'm
kind of envious for you to discover it for the first time he does his voice a little bit like isra vibration so that
gets maybe a little bit used getting used to but it's it's really tight really good reggae and um the ALB one I
would recommend there is Hebron gate um okay and they just last year
they they had a remix of of hron gate with this Drummond bass uh DJ it's just
really good because it still grooves it's not all torn up and all remixed you know it's
still you can play it as an album so um in music uh yeah woven hand um I'm I'm
pretty uh loyal to I like um I like some of the out country stuff
I like Jason isbel a lot I love that guy has got something his voice and his
songwriting very honest Tales like when you listen to the
lyrics yeaha thank you for being on the show I really appreciate everything you've said
today and and it's been entertaining and enlightening and a lot of fun for sure thank you uh lots of fun uh like I got a
huge smile on my face those of you who are just um listening um it just feels
good to to talk to someone who just knows what I'm talking about um right
and and I think your audience does as well the Grateful Dead just touched us really hard all of us so thanks so much
for inviting me very cool for sure all right thank you all right take it
easy